In his book The Orthodox Heretic and Other Impossible Tales, Peter Rollins tell us that, “Religious writing is usually designed to make the truth of faith clear, concise, and palatable. Parables subvert this appraoch. In the parable, truth is not expressed via some dutsy theological discourse that seeks to educate us, but rather it arises as a lyrical dis-ourse that would inspire and transform us. In light of this, the enclosed parables do not seek to change our minds but rather to change our hearts.”
Here is “The Invisible Prophet,” one of my favorite topsy-turvy parables told by Rollins:
It is said that when God sent one of the greatest prophets to earth, the devil was so terrified that people would heed her message that he hatched a plan to ensure that it would never be heard. He decided to conceal her message as best he could. He looked far and wide for a hiding place that would be so impenetrable, so concealed, that no one would ever hear it. After a long and difficult search, the devil finally found the perfect hiding place: he concealed the prophet’s message in beauty.
When the prophet finally began her ministry, people would gather around to witness her legendary beauty and elegance. She moved with extraordinary grace, and when she opened her mouth the words sounded as if they had been carefully crafted by some divine poet and sung by a choir of angels.
When she spoke, the crowds would reverently murmur, “Isn’t she beautiful?” “How elegantly she moves,” “What grace and splendor she has,” and “What majestic poetry she crafts.” The great painters would sketch her form, and the poets used her as a muse. The critics would delight themselves in her carefully crafted words, and the sculptors would turn to their marble.
Her message was a difficult one, telling of an impending tragedy that would befall the earth if the people did not learn to love the planet, to live simply, to turn from selfishness and embrace humility. She proclaimed that whole cities would be leveled if people did not learn to love once more without limit, without return, and without borders.
Though celebrated as poetry, the prophet’s cries of condemnation were not heard. Her beauty and elegance eclipsed her message, until both she and her words disappeared entirely beneath her voice and form.
So it was that the people moved towards their destruction with dancing and celebration, with eyes that could not see and ears that could not hear. Focused on her bountiful beauty, the wisdom within remained hidden through the ages.